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In Copyright

22B-33b_The Schweikher House_Carlos Segura
21A-27b_Poetry Foundation: Pegasus Award Program_Mary Clare Butler/Amy Leners
21A-45d_Mondi Valley Paper Company: Graphic Standards Manual spread 4_John Rieben
21A-06_Positive–Negative photograph_Millie Goldsholl
19A-175.tif
16C-172_The Microscope and the Eye book jacket_Isaac Tobin/Jill Shimabukuro
19E-34_Crate & Barrel: Warehouse Store display ad_Tom Shortlidge
 16C-046_Lap Table_Casey Lurie
16E-101_27 Chicago Designers Exhibit 2016: 27 Chicago Designers Insert_Don Marvine
Human "Save Me" Poster
19A-92_Rehabilitation Institute of Chicago Logo_Morton Goldsholl
20B-16.tif
 16C-061_Design Issues Covers_Steven Farrell
16C-082_Stool T_Sung Jang
05A-35B_Mitea Logo_Carlos Segura
19C-07_Birtman Iron Deluxe Carton_Alfonso Ianelli
24B-09a_Boardwalk identity_Gene Rosner
18F-39D-Home Office Electronics-Desk Phone-Fahnstrom/McCoy
21B-13_Jack Weiss: Artist, Designer, Photographer self promotional book_Jack Weiss
21A-07_Light Modulator photograph_Millie Goldsholl
"Typography" Poster (STA Typographic Excellence Certificate)
21B-29a_McHenry County Conservation District: Trademark_Mary Ervin/Michael Stanard
23B-21b_“What Does Chicago Mean To You?” Poster_Daniel McManus/	Sofya Karash/Isabela Viazzi/Derrick McCormick/Mae Mae McManus
20A-10_The Defiant Ones Pressbook Cover_Gustav Rehberger
21A-25_R.R. Donnelley & Sons: Early Direct-Marketing Customers_Hayward Blake
16C-045_Compost Today: Poster, screenprinted with cinnamon or paprika_Adrianne Hawthorne
19F-59.tif
05A-03_Brilliant Traces_Phillip Zelnar
19B-35_Kenmore Washer/Dryer_Charles Harrison
16C-184a_STA Archive11 Posters_Bud Rodecker
16C-062_General Desk_Jonathan Nesci
19A-78_ Bauer & Black Logo_Morton Goldsholl
16C-078_Graham Foundation, advertisement in Architect Magazine_Michael Savona
5B-78.tif
20D-03c_Living History 1925-1950 Spread 2_John Dylong
21B-02B_Album Cover: Rickie Lee Jones_Gene Skala
21A-26b_Poetry Foundation: An Open Door to Poetry_Elizabeth Burke-Dain/Rick Valicenti
16C-147_One-off protoype made from various mixed media and clear acrylic cabinet with accompanying story text_Jessica Charlesworth
17C-044_Ohsugi & Matsumura-Mesatex Collection 08
22A-33_Trademark: Toshiro Japanese Textiles_Joseph Michael Essex
18F-72.tif
16C-007_Hand cut paper: Come here and let me hug that negativity to death_Matthew Hoffman
19A-25_Fidelity Life Branding Program_Bart Crosby
16C-187_Sugar Tongs_Martin Kastner
25B-02a_Nature Museum Brand Identity_Nick Adam/Cheryl Kao
05A-16B_Series of 12 pieces, 5in blank_Carlos Segura
22A-08_Trademark: Aquatic Solutions / Swimming Pools_Joseph Michael Essex/Nancy Denney Essex
16C-192_This Will Have Been: Art, Love & Politics in the 1980s exhibition catalog_Scott Reinhard
16C-131_Milan Redux Logotype_Michael Savona
21A-34a_Aspen Institute Corporate Brochure Cover_John Rieben
23B-08a_Juno Smart collar_Rotimi Solola/Candace Solola
22B-24b_1545 West North Environmental Graphics_Jack Muldowney/Catalin Margarit
4B-32.tiff
23A-08_Slotties Cardboard Toys_Albert Kner
23A-06a_Word Paintings_Judith Mayer
20B-23_Bagatelle Movie Poster_Daniel McManus/Sofya Karash/Igor Karash
23B-07d_STRYD Footpod SO Dsgn_Rotimi Solola/Candace Solola
20B-06.tiff
19A-18_Chicago Millennium Celebration Branding Program_Bart Crosby
18H-48.tif
19A-43_Mutual of Omaha Bank Branding Program_Bart Crosby
05A-59B_Beatrice Identity Manual_Fred Biliter/Wayne Webb/Jeff Rich
16C-091_Vocalo Bus Bench_Will Miller/Nick Adam
Arvin Industries logotype
20B-13.tif
18I-10_J is for Jay Doblin_ Bart Crosby
16C-176_Peso Side Table - Lacquer finish side table_Holly Hunt
17D-140_Rambow
22B-37b_T26 SAN Promotion_Carlos Segura
22B-25a_Honest Structures Furniture and Organization Systems_Hemmant Jha/Kopal Kulkarni

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